Ineffable, Inc.
Effing the Ineffable Since 2001.
Creative × Technology × Editorial × Strategy × Leadership × Mission
Audible
We pitched an idea to Margaret Atwood because my colleague Emily and I wanted it as fans. The Handmaid's Tale ends with a fictional future academic conference — and "Are there any questions?" may be the most wonderfully frustrating last line ever conceived. What if we asked Atwood to actually answer some? She ran with it. I wrote the questions I'd always wanted answered; they were passed along through her people. I never met her. But my questions became part of the canonical text — and I ended up credited as a voice actor alongside Claire Danes and Atwood herself. Wasn't my job, just a spare-time project that came to mega-fruition. The Washington Post called the result "highly pertinent, ingeniously conceived."
American Greetings
Head editor of American Greetings' digital R&D team during the exact years the world was figuring out how to communicate online. Not just birthdays and holidays — all of it. How do you celebrate on Facebook? What does a greeting card become on a phone? We had a big greenscreen digital content studio and a budget to build sets and puppets and hire adorable animal actors like Suzy the chimpanzee and Uggie the dog from the Academy Award-winning film The Artist. We acquired libraries of animated GIFs before they were cool again (again), built tagged databases to make them searchable, and shipped justWink — the brand, the app (on millions of phones), the whole ecosystem. We were working through social media, mobile, instant messaging, emojis, and whatever came next, as society adopted them in real time. The work earned a U.S. patent, on which I'm listed as inventor. Taylor Swift used the tech. The job that took me from creative to technologist and taught me the medium really is the message.
Shutterstock
I founded Shutterstock's content marketing program from nothing and built it into an operation that reached half a million readers a month: 8 blogs, 7 languages, 57 social channels, a 15-person team, and an experimentation mindset that defined the golden age of branded content. We made mega-viral content and won a bunch of awards along the way. The program I built became the engine of their global marketing strategy — and still is, today.
"The Shutterstock Blog is a tour de force of art, design, and technology."
Audible
As Director of Branded Content at Audible, I founded and ran Audible Range, their online magazine, sourcing and editing journalistic talent like Roxane Gay, Leonard Maltin, Nick Offerman, and Jane C. Hu. It won a Digiday Award for Best Brand Publication. Along the way, I built MTVessel, the content management system that powered it all — which turned out to meet Amazon's rigorous internal security standards and got adopted across the company. The medium is the message, indeed.
Outlier → GSV Ventures → Yale
A former MasterClass colleague brought me to Outlier.org during the pandemic as Creative Director. On the side, I built their content marketing and SEO program — 50K monthly organics in year one. Outlier won TIME's Best Inventions 2020. Then it was acquired; GSV Ventures liked the work enough to bring me in directly as a fractional creative director, leading their existing team and producing the ASU+GSV AIR Show — 15,000 people at the San Diego Convention Center, 125+ companies, one of the largest AI-in-education events in the world. That work led Yale University's Center for Emotional Intelligence to invite me to run a workshop on AI in creative production.
Ask Me About My Work With
Mean Girls· The Handmaid's Tale· Monsoon Wedding· Zoolander· Uncharted· The Master of Disguise· Æon Flux· Claire Danes· Jane Goodall· Bill Nye· John Singleton· Terry Gilliam· David Axelrod· Dominique Ansel· Taylor Swift· Sly & the Family Stone· Butterfinger· Astroglide· and a talking caribou
My Current Focus
For the last decade or so, I've been specifically drawn to work that makes the world a little better — sustainability, farming, education, technology for social good. It's not a detour from the rest of my career. It's where the rest of my career was always headed.
American Greetings era. For something I made called Monkeypiece Theatre. Long story.
Ventura, California — open to remote, travel, and interesting problems.